June 24 and 26, 2020
For centuries now, the Haudenosaunee women of New York State have lived equally among their male counterparts in a way their non-Native women neighbors often have not. In fact, when women in the state began to organize for their rights in 1848, they looked to Haudenosaunee women for inspiration and guidance. This history served as a starting point for presentations and a discussion that explored ways in which history, art and activism intersect in both the past and present-day.
From conversations around confederate memorials and the memorialization of Native American heritage, public dialogue that addresses the historical exclusion inherent in many current existing representations of marginalized groups is profoundly important. This panel discussion and half-day workshop aimed to help museums and communities deepen their understandings of feminist and indigenous ways of utilizing landscapes, objects and dialogic thinking for memorialization and justice.
Panelists:
Linda Norris, Senior Specialist, Membership and Practice, International Coalition of Sites of Conscience
Michelle Schenandoah, Founder and CEO, Rematriation Magazine Indigenous Concepts Consulting; Traditional Member of the Oneida Nation of the Haudenosaunee Confederacy
Jolene Rickard, Associate Professor in the History of Art and Visual Studies Department and affiliated faculty with the American Indian and Indigenous Studies Program at Cornell University, Citizen of the Tuscarora Nation
Sally Roesch Wagner, Executive Director, Matilda Joslyn Gage Foundation and Author of “Sisters in Spirir Haudenosaunee Influence on Early American Feminists”
Julia Watson, Landscape Architect, Julia Watson Studio and Author of “Lo-TEK: Design by Radical Indigenism.”